What is the difference between Schubert and Schumann?

What is the difference between Schubert and Schumann?

Very basically, Schumann employs more chromaticism than Schubert, both in his melodies and in tonal progressions. Schubert can sound more formulaic (not a criticism, just an observation). Schumann was harmonically more adventurous. Schubert died in 1828 at the age of 31.

What is Lied der Mignon about?

It is described by the author as an irregular duet sung by Mignon and the Harper. 1 Mignon is an unfortunate child of Italian birth whom the hero of the tale, Wilhelm Meister, has taken from a band of itinerant players with whom she was suffering much abuse and neglect.

Did Schubert write Lieder?

A succession of German composers wrote Lieder through the nineteenth and early twentieth centuries, including Robert Schumann, Johannes Brahms, Hugo Wolf and Richard Strauss, and they all acknowledged Schubert as the pioneering master of the genre.

Who were the prominent composers of Romantic era lieder?

Franz Schubert, who composed more than 600 lieder, Robert Schumann, Johannes Brahms, and Hugo Wolf are among the finest 19th-century lied composers. Although the verse in lieder often was mediocre, for the Romantics, poetry and music were of equal importance.

How do Schumann’s lieder differ from those of Schubert?

He basically doubled Schumann’s 300+ songs by writing 600+ songs. Schubert might have the single most famous song ever written in his Ave Maria and Schumann has no song which could be considered anywhere close to Ave Maria in popularity.

Was a Romantic German composer famous for his use of leitmotifs?

Richard Wagner loved drama, and devoted his life to writing operas. He practiced an idea called Gesamtkunstwerk, where all theatrical elements work together to enhance the drama. To help with this, he wrote short musical ideas, called leitmotifs, that represented characters, objects, and emotions.

Who is Mignon in Wilhelm Meister?

A good many composers were attracted to “Mignon,” the 13-year old androgynous character in Goethe’s novel Wilhelm Meister. In the novel, she is rescued by the young merchant Wilhelm from a troupe of acrobats, who have kidnapper her from her native Italy and brought her to Germany.

Who were the prominent composers of lieder?

Lieder are normally songs for a singer with piano accompaniment. They were mostly composed in the 19th century which was the period known as the Romantic period. The most famous composers of Lieder were Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf and Richard Strauss.

What do the friends of Schubert who are circle of writers artists and music lovers called themselves?

During the early 1820s, Schubert was part of a close-knit circle of artists and students who had social gatherings together that became known as Schubertiads.

What was Schubert’s first Mignon song?

His first Mignon-related song was a setting of “An Mignon” [‘Über Tal und Fluß getragen’], a poem published by Goethe in 1797. Schubert set it as a song for voice and piano in February 1815, D 161. Together with fifteen other songs he had composed on Goethe’s texts Schubert sent a fair copy of this song to Goethe in 1816.

Who is Mignon in Goethe?

Mignon (Schubert) Mignon, a character appearing in Johann Wolfgang von Goethe’s writings such as Wilhelm Meister’s Apprenticeship and Wilhelm Meister’s Journeyman Years, is the subject of several lieder by Franz Schubert.

What kind of music did Robert Schumann write?

Schumann’s published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works.

When did Schubert write Gretchen am Spinnrade?

Schubert had started to compose songs on texts by Goethe in 1814, among which ” Gretchen am Spinnrade ,” published as his Op. 2 in 1821. His first Mignon-related song was a setting of “An Mignon” [‘Über Tal und Fluß getragen’], a poem published by Goethe in 1797. Schubert set it as a song for voice and piano in February 1815, D 161.